Preliminary Task-Pitch
Our film is a thriller called "an eye for an eye" . In it Scarlett's (Georgia Skipper) brother was horrifically killed by Paul ( Jack Whitely) five years before the time frame of the film extract. she and her friend Jane (Maisie Walker) decide to enact revenge on him hence the title "an eye for an eye". Unfortunately their modus operandi causes unforeseen problems for them and those they care about. We have chosen to film within the Howard school in the PE block and on the sports field.
These are the filmography we will use and the reason why:
Medium shot of Jane sitting down with a blank expression on her face. Foreshadowing that Scarlett is about to come on to the scene.
An over the shoulder shot of Jane watching Scarlett walk in to the room
A match on action front facing from the door.
Two shot of the girls having a conversation.
We decided to make the subject they're talking about mysterious so as to but the audience on edge and make them uncomfortable.
When they're done talking Jane slowly looks to the table where we see a letter with the outlined word "revenge" . Then there is another match on action and push in of Jane taking the letter from Scarlett causing an argument between the two in a medium close up. lastly there is a worms eye view of Paul without his face on a patch of grass.
The directors are:
Jack Whitely
Maisie Walker
Georgia Skipper
The camera work is done by:
Jack Whitely
Maisie Walker
Georgia Skipper
Joshua Ford
The actors are:
Jack Whitely
Maisie Walker
Georgia Skipper
Editors
Jack Whitely
Maisie Walker
Georgia Skipper
We need to make sure that we keep the camera on one person in a conversation
The audience said they wanted to find out why they wanted revenge and see the murder as a flash back. They wanted to see the back story in order to understand the story. They also wanted us to use close ups and extreme close ups to emphasize the characters emotions so that, within the 5 minute clip, they are able to understand the character and feel sympathy for them. Another piece of feedback was the use of these camera shots will help to understand our complicated narrative and add drama and tension to the clip
These are the filmography we will use and the reason why:
Medium shot of Jane sitting down with a blank expression on her face. Foreshadowing that Scarlett is about to come on to the scene.
An over the shoulder shot of Jane watching Scarlett walk in to the room
A match on action front facing from the door.
Two shot of the girls having a conversation.
We decided to make the subject they're talking about mysterious so as to but the audience on edge and make them uncomfortable.
When they're done talking Jane slowly looks to the table where we see a letter with the outlined word "revenge" . Then there is another match on action and push in of Jane taking the letter from Scarlett causing an argument between the two in a medium close up. lastly there is a worms eye view of Paul without his face on a patch of grass.
The directors are:
Jack Whitely
Maisie Walker
Georgia Skipper
The camera work is done by:
Jack Whitely
Maisie Walker
Georgia Skipper
Joshua Ford
The actors are:
Jack Whitely
Maisie Walker
Georgia Skipper
Editors
Jack Whitely
Maisie Walker
Georgia Skipper
Dialogue;
Jane- What are you doing?
Scarlett- Nothing.
Jane- I know you’re up to something
Scarlett- Something you’re not involved in
Audience feedback
Our pith wasn't fully complete so we received some audience feedback to ensure our pitch was a its best
.The first bit of audience feedback we received was about the 180 degree rule. As we didn't add it into our pitch we had a suggestion on how to add it in. Due to the fact that we have a conversation between two people we had the idea of putting two people at a table having the conversation about Scarlett wanting to get revenge on Paul. We will then move the camera around the conversation 180 degrees.We need to make sure that we keep the camera on one person in a conversation
The audience said they wanted to find out why they wanted revenge and see the murder as a flash back. They wanted to see the back story in order to understand the story. They also wanted us to use close ups and extreme close ups to emphasize the characters emotions so that, within the 5 minute clip, they are able to understand the character and feel sympathy for them. Another piece of feedback was the use of these camera shots will help to understand our complicated narrative and add drama and tension to the clip
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